Act of Passion – Georges Simenon, tr. Louise Varese 9781590173855
During and after WWII, Georges Simenon, creator of homicide
detective Maigret, wrote stand-alone novels s such as The Engagement, Red Lights,
Tropic Moon, The Man Who Watched Trains, not to mention the profoundly
unsettling analogy for the German occupation of France, Dirty Snow.
The stories are often the same: a man is so alienated
from himself and society that he feels like a robot, just going through the
motions of daily life. Some event brings internal and external pressures to the
bursting point. In Act of Passion,
Dr. Charles Alavoine, haunted by urges for sex and a sense of futility, meets
Martine, filled with self-loathing due to sexual abuse in childhood. Something
has to give.
This
novel is told in the first-person, in the form of a letter to the examining
magistrate from the perp. The perp does not ask for forgiveness, but seeks the understanding of another man who is able to understand the feelings as the motive of his act. I can think
of only one other novel where Simenon uses the first-person, In Case of Emergency, in which a lawyer
explains his existential rage and defiance of conventions, especially as
enforced by fussy mothers and wives that take exception to affairs with a
female wild-child (played by Bridget Bardot in the movie).
Act of Passion is well-worth reading. A
bit longer than his novels usually are, he presents three clearly delineated characters
(husband, wife and
lover), suggesting the roots of their strengths
and weaknesses.
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