I read this book for the Vintage Mystery Bingo Reading Challenge 2014.
The challenge is to read 6 or more Vintage Mysteries. All novels must have been
originally written before 1960 and be from the mystery category.
I read this for O-6:
Read one Mystery that has Woman in the Title
The Case of the
Hesitant Hostess – Erle Stanley Gardner, 1953
Fans and critics agree that the following Perry Mason novels
by Erle Stanley Gardner rank the best for courtroom fireworks, convoluted
plots, and swift pace: Lazy
Lover (1947), Lucky
Loser (1957), and Foot-Loose Doll (1958).
I would argue, however, that Hesitant Hostess (1953) should rank among the best because
of its setting and atmosphere.
Gardner examines the process in which a gang makes pots of money by opening
nightclubs and gambling joints. Punished for their good looks by being coerced
to become shills, hostesses distract suckers from realizing they are victimized
in crooked games.
Unwary squares
find themselves in trouble as rubbing elbows with crooks gradually turns into
helping said bad guys do their dirty work or paying big costs like death,
injury, and disability when not paying up. Given enough venal ruthlessness,
Gardner finds, gangs find it relatively easy to gain control of a medium-sized
burg, corrupt the police department, and stymie reform with bribes and
violence.
The gritty noir setting
and tone remind us of Gardner’s other series featured the PI duo of Bertha Cool
and Donald Lam. Crime doesn’t not come out of everyday stuff like infidelity or
personal indiscretions. Instead, the crime is the outcome of a complex criminal
scheme. Gold Comes in Bricks (1940) is about an intricate fraud. Turn on the Heat (1940) examines
the corruption of local politics: seedy cops, crooked politicians, co-opted
news reporters, mean gangsters, and cowed citizens. Top of the Heap (1952) is about
gambling hells, income tax scams and fraudulent gold mines. All Grass isn't Green (1970) is
about the ins and outs of dope smuggling for criminal syndicates. Gardner took
endless interest in process, such as how gangs succeed, how detectives ferret
out information, how the cops manipulate and prime impressionable
eyewitness to misidentify blameless people as perps.
There are lapses in this Hesitant Hostess. We
don't even get the name of Mason's client until the fourth chapter. Perry meets
one of Drake’s operatives, talks to him at length, and we never get his name
either. We are told Perry and Della win in a casino but are not told what they
played. Chapters 3 and 16 are so long – unusually long for Gardner – that we
wonder if Gardner just lost track of the length of his usual chapters. The motive for framing Mason’s client rather
wilts under scrutiny.
But I quibble. To both Mason fans and newbies, I highly
recommend this mystery as one of the more tightly plotted and atmospheric Perry
Mason novels from the Fifties.
No comments:
Post a Comment