This is the third of seventy-five Perry Mason mysteries, born in 1936 when America still smelled of cigar smoke and leaded gasoline. The scenery is a valentine to the past: cigar stores, soda fountains, speakeasies, and hotels where the wallpaper knew secrets. Even the slang is a museum piece - people “know their onions” and try not to “look common.” You can almost hear the click of a nickel in the payphone.
But don’t expect the Mason you know from the postwar years. Here, Della Street is practically a potted plant - no sly confidante, no accomplice in evidence shenanigans. She doesn’t even take notes while Perry grills a client. Paul Drake and Mason circle each other like two tomcats, stiff and wary. Mason himself? A housebreaker with skeleton keys and a temper that threatens fists. The prose plods in places another interrogation, and then another - until you want to shout, “Get on with it!”
And the smoking! Whole scenes devoted to the poetry of
rising smoke, as if nicotine were a muse. Publishers who dream of sanitizing
these books will need buckets of black ink.
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