A Dram of Poison –
Charlotte Armstrong
In this 1956 suspense mystery, a crime may occur. The protagonist and his merry
band must prevent the crime. Otherwise, the protagonist may lose his wife and
his freedom. The ending delivers the satisfying emotional release that we look
for in a suspense novel. But on the way to the climax this story also provides
the intellectual pleasure that we want from a novel.
Like Shirley Jackson, Armstrong was a close and cool
observer. Of a wedding procedure between a middle-aged poetry prof and a girl
young enough to be his student: “It was an ugly, dreary wedding. It made Mr.
Gibson wince in his soul, but it was quick, soon over. He was able to take it
as just necessary, like a disagreeable pill.”
Armstrong had a dab hand at constructing a plot that
dragged her characters through the mill until the very last moment. In this
novel, she examines the physical and psychological effects of a bad car
accident. Now lame and feeling old and unsure, the protagonist goes into a
depression that his unhelpful sister worsens with her cheap cynicism and
amateur Freudian psychoanalytical mumbo-jumbo.
When the post-World War II anxiety is reaching a pitch, however, Armstrong twists the plot and changes the tone from somber to comical and philosophical. With lesser writers we would wonder about the wisdom of sudden changes in plot and tone and the introduction of a five new characters half-way through. But Armstrong pulls off these audacious moves. She was truly a surprising, enchanting writer.
Christopher Pym in the Spectator wrote: "Nobody gets hurt in this pleasantly sentimental, good-natured version of the `psychological study' sort of crime story, but there is plenty of suspense, and a good chase after the poison bottle. Full marks for the fresh approach.” This novel won the 1957 Edgar Award from the Mystery Writers of America. I read another of her suspense novels, a howdunnit called The Unsuspected, which I also highly recommend though it is as unclassifiable as this one.
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