Wednesday, September 18, 2019

Mount TBR #24


I read this book for Mount TBR Reading Challenge 2019.

The Widow’s Cruise - Nicholas Blake

Set on a ship's cruise to the Greek islands, this 1959 mystery stars series PI Nigel Strangeways and his live-in GF Clare Massinger, a sculptress like Judith Appleby. They witness an odd situation involving a classics mistress recovering from a breakdown; her rich flashy widowed sister; a loosely educated classicist who is a popularizer and thus a scourge to the scholarly classicist; a flighty selfish school-girl who used to be taught by classicist; her twin brother; a sleazy busybody Brit; a know-all little girl, and a macho-man Greek tour guide who speaks American English.

The set-up is a bit long but things move faster with the disappearance and death of a merry widow's ugly-duckling sister the classicist and the grisly killing of the know-all. Aside from the killing of a child, another challenging piece of the book is the 17-year-old schoolgirl wanting “experience” from the popularizer who is twice her age. These bold aspects do not a cozy make. This outing is not as scary as The Corpse in the Snowman or The Beast Must Die; more on the level of The Dreadful Hollow or the first one A Question of Proof.

Nicholas Blake was the penname of Cecil Day-Lewis, classics professor and the Poet Laureate of the UK from 1968 until his death in 1972. Obviously, the vocabulary is literate, carefully chosen, and engaging for us jaded readers that expect the prose in mysteries to be flat and workmanlike at best. Blake/Day-Lewis creates convincing characters, all with attitudes and motivations that are consistent, plausible and sometimes unsettling. He is especially acute depicting children and youths, probably because he was a teacher for a time. The background scenes of the cruise on the Med are well-done, so this appeals to readers who are a little tired of the country houses or mean streets of the usual golden-age mystery. Strangeways takes it all the way to the twisted and surprising ending.

No comments:

Post a Comment