Murder in a Mummy Case - K.K. Beck
Harken back to the kinder gentler traditions of the Golden
Age whodunit. This 1986 effort is charming and delightful, though the author
would go on about clothes: “dressed in a smart two-piece golf ensemble,
aquamarine wool knit with a band of orange at the neck and in the gores of the
skirt.”
Gores? Luckily I married a weaver and sewer, she knows about
these things.
Set in the late 1920s, Stanford co-ed Iris Cooper has
received permission from her parents to spend Easter Break with gentleman
friend Clarence Brockhurst and his wealthy family. The high society setting
will bring to mind Charlie Chan novels by Earl Derr
Biggers. The characters are wealthy enough to afford eccentric hobbies and
maintain wacky hangers-on. Mrs. Brockhurst employs a spiritualist medium and
her entourage of assistant Mr. Jones and a lady’s maid who turns out to be The
Victim. She has also taken in a poor relation Aunt Laura and a dispossessed
White Russian Count Boris. Son Clarence has the resources to indulge his hobby
of Egyptology and even keeps a mummy in the house, which the psychic blames for
evil emanations.
Mystery fans and fans of B-movies by Poverty Row studios
will recognize the stock characters.
Iris is smart and sweet, and plucky in the pinch. Brassy and bold she is
not but those are covered by Clarence‘s sister Bunny, a free-spirited flapper.
Iris’ other possible BF is a walking checklist of traits of a young newshound:
brash, quick witted, wisecracking, and prone to jump to conclusions. Clarence
is the huffy pompous mooncalf who woos his lady love with the promise to teach
her how to read hieroglyphs.
Beck deals in comic allusions too. The butler, who
is assumed to have Done It, is a Chinese named Charles Chan. Even the
characters look askance at that. At the beginning, she has Iris say, “Had I but
known that my request would lead me into another adventure, my anticipation
would have been even greater,” which is a send-up of the standard melodramatic
“Had I but known” foreshadowing of mysteries and gothics in the first half of
the 20th century. At the end, a character marvels at his luck, “Imagine, I
almost invested a fortune in some worthless little town in Southern California,
Palm Springs it was called.
Beck must have read her share of cozy puzzlers of bygone
days not only to spoof them but also to feel affectionate about the whole
genre. Nostalgia buffs will like the dumbwaiter, speakeasy, and chaperones and
other such artifacts, institutions and customs that went they way of the dodo before
our grandparents checked out of this vale of tears.
Readers on the look-out for a light and entertaining mystery
will not go wrong with this one.
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