I read this book for the European
Reading Challenge 2015.
Natasha’s Dance: A
Cultural History of Russia - Orlando Figes
The author is probably best-known for his prize-winning
narrative history A People’s Tragedy:
The Russian Revolution, 1891 – 1924. He takes the title of this
intellectual history from a scene in War
and Peace. Princess Natasha tosses her French-influenced ways aside as she
dances a Russian peasant dance. Nobody taught her the steps, hand motions, or
stillness of her head. In short, not needing instruction, she just has the
knack, through genetics, or inherited characteristics, what Lafcadio Hearn
would call “the race ghost.”
Without bugging us general readers with the jargon of
Theory, Figes argues that the Russian sense of identity has been socially
constructed over the course of time. Russian thinkers rejected the automatic
Westerner-worship of Peter the Great to create their own sense of identity,
literary language, and canon of literature, often coming up with ideas as
dubious as “the race ghost.” Figes persuasively argues Russian culture has
borrowed from many traditions such as Mongol, Persian, Kazakh, and ethnic
Russian, besides the usual Western European traditions.
This is a serious book, but it is readable. As he proved
in A People’s Tragedy, he has an eye
for the telling anecdote, which is often quite funny or forceful or both. This
on the effect of sheer numbers of serfs available for tasks:
At Kuskovo, there was a horn
band in which, to save time on the training of the players, each musician was
taught to play just one note. The number of players depended on the number of
different notes in a tune; their sole skill lay in playing their note at the
appropriate moment.
I highly recommend this brilliant work to readers into
things and people Russian.
No comments:
Post a Comment