I read this book for the Back
to the Classics Challenge 2015.
Tropic
Moon – Georges Simenon (French: Le Coup
de lune)
In the summer
of 1932 Simenon took an African tour. Starting
in Egypt, he went to Khartoum, Juba, the Belgian Congo, and descended by river
over 1700 km to Kinshasa, Port-Gentil, Libreville and Conakry. He returned to
Europe with a dark vision of colonialism as evidenced by three novels: Tropic Moon (Le Coup de lune, 1933), Talatala (Le Blanc à lunettes, 1937) and Aboard the Aquitaine (45°
à l'ombre, 1936).
The novel Tropic Moon is a descent into hell from
which no one escapes unscathed. The protagonist exemplifies a young man who
protects his dignity behind a madness that we hope will clear up once he gets
back to France. His temporary – we hope - madness may serve as his alibi for
his guilty complicity and protect him from self-destruction as a response to
the world he has just discovered.
To backtrack. Though
full of naive enthusiasm for his new job cutting timer in Gabon, Joseph Timar is
told that his predecessor does not want to leave the upsriver post – even threatening to
shoot his replacement - and that the
company that employs him is in financial trouble. “Nothing to do” is a bad
situation for an expatriate since boredom causes stress. Timar also falls
victim to an ineffable malaise brought on by the equatorial humidity. He
settles in the only European hotel in Libreville's port, which is run by a
couple, the Renauds, with a sketchy history that includes trafficking in human
beings.
Remember this
is a Simenon novel so on the first day, busty boss Adele Renaud, whose husband Eugene is
dying slowly of a tropical fever, offers herself to Timar. The sexual
encounter, however, puts Timar in state of both sensuality and remorse. He
feels unbalanced and unconnected in his new unknown environment. If this book
is read for nothing else, it is worth reading for its rendering of the worst
case scenario of culture shock and its symptoms.
The next day a
murder is committed. Timar has an alibi since he went out with a group of
Europeans for an evening of drinking and exploiting the local
population. Following the proverb, “A stranger can throw his shame away,”
the whites boast about abuse they inflict on blacks and depend on each other to
keep silent if ever questioned by the authorities. This section was so
critical of colonists’s behavior and so exposing of the racket of colonialism
that I wonder if it was a reason the French government refused Simenon a visa
to return later in the 1930s.
Meanwhile, the
Adele’s husband dies, freeing her up to pursue business adventures upriver. She
persuades Timar to get an influential uncle to pony up funds for a forest
concession. Adele and Timar sign contracts and deeds. They will be able to
settle together, after a long journey through a jungle that Timar finds more
and more oppressive and hostile. Getting no solace from sleeping with Adele
(who may in fact really love him), Timar feels increasingly alarmed by a
terrible void and feeling of a inescapable absurdity.
One morning
Timar wakes up to find that Adele has left him to go testify at the trial of
the young black accused of murdering the local man. Joseph gets a dozen village men to canoe him
down the river. This section is amazing, but Simenon is always amazing when he
is doing a pursuit. He excels putting his characters between two points and in a nightmare.
Highly
recommended to readers into literature about colonialism, culture shock, and
existentialism.
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