I read this book for the Mount TBR Reading Challenge hosted over
at My
Reader’s Block from January 1 – December 31, 2016. The challenge is to read
books that you already own.
Hedy Lamarr: The
Most Beautiful Woman in Film – Ruth Barton
Ruth Barton recounts the life, inventions, passions, and
troubles of Hedy Lamarr. Barton is a lecturer in film studies at Trinity
College in Dublin and has already published several books on cinema history. But
here she focuses on Lamarr, considered by many fans and critics alike the most
beautiful woman in classic Hollywood.
In our age of social media snark, I was thankful that
Barton brings to this project insight and patience towards her subject. Lamarr
was a contradictory and distressed person. She wondered if people were drawn by
her looks or her self. This insecurity made her act in contradictory,
difficult, and strange ways. What can we make of stories like this?
A few years later, when Zsa Zsa
Gabor and George Sanders were married, Hedy called on them. Their daughter
Francesca, who was three, was on her way to bed. Hedy volunteered to say
good-night to her, since it was the nanny’s night off. Then as an afterthought,
she asked, “Does Francesca know the facts of life yet?” Perturbed, Gabor shook
her head. “The next morning Francesca came downstairs with a balloon stuck
inside the front of her dress and informed me that she was pregnant. Hedy
Lamarr had told my three-year-old daughter the facts of life. I was livid.”
Who wouldn’t be irate? But we feel a bewildered
compassion too – what kind of broken person would think it appropriate treat a child and anger parents in such a way?
Hedy’s personal life was an ongoing turmoil. She married six times and had children and
failed to have a satisfactory relationship with any of them. She and her
adopted son were estranged when Hedy, in a fit of displeasure, just broke off
relations. Near the end of her life,
Hedy was a shoplifter, notorious in department stores but Barton doesn’t ask
any shrinks as to the origins of this behavior.
So, with such a hard to subject to like, the story that
Barton tells is not a simple "star bio" because Hedy was not an
actress though she may have become a fine comedienne if Hollywood, notorious
waster of talent, had been smarter in judging what she could do persuasively.
Because she sure couldn’t act, never was able to overcome a wooden, remote, icy
quality that was more overpowering than likable. Unfortunately, her first
appearance in film created preconceptions. Hedy stripped naked on camera for
the very first time in the history of mainstream film (a European – of course –
movie called Ecstasy in 1933). Like
Paris Hilton found out after the sex tape, success came with both benefits and
hazards.
Barton did not interview any art critics to give us
readers a sense of how skillful an abstract painter Hedy was. Barton does
describe a little bit of Hedy’s technological achievements. With composer
George Antheil she patented an innovative modulation system for encoding
information to be transmitted on radio frequencies. Its discovery had
repercussions in technology, such as with the encryption systems used for
mobile phones. Another upside is that Barton provides the insight that Hedy was
an émigré – she had to leave Austria because of her Jewish background (which
she never talked about). Forced out of her native country, Hedy never felt as
if she were home in California, New York City, or Florida. It must be a grim
feeling to never feel at home.
Barton's book persuades us that Lamarr's life was a
tangle of unique adventures, appetites, escapes and episodes more or less bleak. On the
other hand, it is the same old story, told yet again, of a person who can’t
tolerate great gifts. Like, the Donald was born to wealth and power; he
couldn’t tolerate so much money, authority, and fame so he turned into an ogre.
Hedy was born beautiful beyond belief, gifted with intelligence. And she acted like a person, mercifully rare, who feels most alive when fussin' and fightin', embroiled in constant arguments, suits, and feuds.
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