I read this book for the Mount TBR Reading Challenge hosted over
at My
Reader’s Block from January 1 – December 31, 2016. The challenge is to read
books that you already own.
The Life and Many
Deaths of Harry Houdini – Ruth Brandon
“Harry” implies approachable, down to earth. But
“Houdini” sounds other-worldly and - to use that overused and abused word -
awesome. So even his name vibrates and contradicts and
attracts readers – like me - who are not necessarily interested in magic or
escape artists, but rather the history of popular entertainment in general and
vaudeville’s heyday of 1880 to 1930 in particular.
While the biographies of Houdini by Christopher
and Gresham
are well worth reading, Brandon too provides information about topics -- mother fixation, death obsession, unwilling skepticism, ruthless competitor, loyalty demanding - that
make this biography a substantial, insightful read. Even the digressions give interest. For example, she delivers
background information about medicine shows, which Houdini had to work early in his career. Starting in the Elizabethan
era in Europe, such shows were traveling horse and wagon teams which peddled
patent medicines and other products between various entertainment acts. The quack medications gradually took a backseat to the entertainment acts.
She also makes fascinating points related to cultural history.
She asserts that Houdini became popular
because the Indomitable Little Guy was a popular character in the early
20th century. Think of Charlie Chaplin’s Tramp or Buster Keaton’s
Stone Face. The little guy was always having to wrestle with and escape from
bonds, from oppression. This resonated with immigrants and working people in
North America, but people in police states like Germany and Russia really
went nuts over Houdini escaping from handcuffs, cells, and black marias.
Brandon also turns to personality psychology to explain
Houdini. The Freudian interpretations of Houdini’s dreams may or may not appeal to
readers. More plausible are her interpretations of the marriage between Harry
and Bess. For instance, for all his protestations of love and devotion, the
narcissist Houdini was very controlling. It speaks volumes that by the time he
died, she was drinking a lot. So few families of geniuses and artists are happy
families, so much time and emotion are sacrificed to the creation of art and entertainment.
Brandon, a British biographer, novelist and historian, writes clear prose that’s a pleasure to read. Readers into the history of popular entertainment would probably like this biography.
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