I read this book for the Back
to the Classics Challenge 2018.
Jonathan Wild
– Henry Fielding
Published in 1743, this short novel came between the
massive texts of Joseph Andrews and Tom Jones. Loosely based on a
historical mob kingpin, it tells the story of the title character whose family
name is apt. He is wild in the sense of being unrestrained in the pursuit of
his ends. He cheats, robs, commits fraud, sexually assaults, kills, and
denounces henchmen so that they are executed. He is uncontrolled in that he in
incapable of conceiving ways to his ends except by criminal means. He then
jeers at people who have been weak enough to trust him and thus be taken to the
cleaners. Critics says that Thackeray was inspired by this novel to write Barry
Lyndon. But Barry is a schoolboy, a lovable rogue compared to the
rapacious, disturbing Jonathan Wild.
Fielding’s message is that the same insatiable qualities
that make a great thief are the same that go into making a great leader. His maxims
call to mind Machiavelli. Examples are below and may be useful to those of us
who work in large organizations.
2. To know no distinction of men
from affection; but to sacrifice all with equal readiness to his interest.
4. Not to trust him who hath
deceived you, nor who knows he hath been deceived by you.
7. To maintain a constant gravity
in his countenance and behaviour, and to affect wisdom on all occasions.
12. That virtues, like precious
stones, were easily counterfeited; that the counterfeits in both cases adorned
the wearer equally, and that very few had knowledge or discernment sufficient
to distinguish the counterfeit jewel from the real.
15. That the heart was the
proper seat of hatred, and the countenance of affection and friendship.
I daresay readers will get the idea that the moral
atmosphere of the novel is not what an unselfish person would describe as
edifying or uplifting. But it’s not utterly lacking in positive examples. This,
from a good soul abused by the title character:
Why, what can [reason’s] office
be other than justly to weigh the worth of all things, and to direct us to that
perfection of human wisdom which proportions our esteem of every object by its
real merit, and prevents us from over or undervaluing whatever we hope for, we
enjoy, or we lose. It doth not foolishly say to us, Be not glad, or, Be not sorry,
which would be as vain and idle as to bid the purling river cease to run, or
the raging wind to blow. It prevents us only from exulting, like children, when
we receive a toy, or from lamenting when we are deprived of it. Suppose then I
have lost the enjoyments of this world, and my expectation of future pleasure
and profit is for ever disappointed, what relief can my reason afford? What,
unless it can shew me I had fixed my affections on a toy; that what I desired
was not, by a wise man, eagerly to be affected, nor its loss violently
deplored?
A neat defense of reason, self-command and moderation, but
Fielding’s ironic repetition of “great” to describe sleazy voracious narcissism
beats the reader down, rather.
In fact, like another 18th century writer Tobias Smollett, Fielding looks hard at our commonplace notions, such as “He may be a jerk crook and jackass, but he at least get things done.” And he poses the questions, why do so many people, otherwise smart and decent, get a kick out of rogues; is all our talk about honesty and fair-dealing merely talk; what does a society look and feel like when a large percentage of its members could care less to distinguish right and wrong and laugh at people who fret about truth.
In fact, like another 18th century writer Tobias Smollett, Fielding looks hard at our commonplace notions, such as “He may be a jerk crook and jackass, but he at least get things done.” And he poses the questions, why do so many people, otherwise smart and decent, get a kick out of rogues; is all our talk about honesty and fair-dealing merely talk; what does a society look and feel like when a large percentage of its members could care less to distinguish right and wrong and laugh at people who fret about truth.
I like this, the first novel by Fielding I’ve ever read. I’d recommend it to readers
that like unblinking surveys of this vale of tears. Whether I could handle Fieldings' dense prose for the thousand pages of Tom Jones is an open question.
No comments:
Post a Comment