Murder in Venice –
Thomas Sterling
Victorian and Edwardian mystery writers often set stories in atmospheric Italy.
John Meade Falkner set The Lost Stradivarius in the notorious city of
Naples to showcase those paganistical Italians, about whose Catholic festivals
an English character sniffs, “I cannot, however, conceive of any truly
religious person countenancing such a gathering, which seemed to me rather like
the unclean orgies of a heathen deity than an act of faith of Christian
people.”
In 1878 Wilkie Collins released the novel of
sensation, The Haunted Hotel, A
Mystery of Modern Venice. Much of the action takes place in a dilapidated
palace, which is the same colorful setting as the 1955 novel on review
here Murder in Venice a.k.a. The Evil of the Day.
Rich but aging Cecil Fox summons three friends from the
past to his dazzling manse in Venice. Anson Sims is a miser, Henry Voltor
trades on his family name, and wealthy Mrs. Sheridan keeps anxiety at bay with
constant travel and tyranny over her companion and all other service providers.
All three are greedy to inherit Fox’s millions. So in true Venetian style they
parry, thrust, and stab among themselves in order to get in position to scoop
up the money, manse, and furnishings. Just think of how the Venetians looted
the Byzantines and you’ve got it.
Fox hires a male secretary William Fieramosca to manage
the party with the three greed-heads and the comely companion Celia Johns. One
of Fox’s guests dies during the night. The mystery is very deep, the detecting
negligible. Sterling’s description of rooms, furniture, pictures, the canals
and gardens is the main attraction. The ultimate praise: The moody and
distinctive ambiance made me want to visit Venice, something I’d little
interest in doing before I read this novel.
Anthony Boucher, mystery writer and critic for
the New York Times said in a review of this novel, "There is the opulent
atmosphere of an ancient city erected upon wealth and death. There is prose as
witty and subtle as it is sharp and clear. There are characters
unconventionally conceived and richly bodied forth. This is, in short, a novel
to be treasured." Boucher, I think, was generous in his reviews of fellow
writers but he did not over-sell.
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