Kokoro – Natsume
Sōseki
The first two parts of this modernist novel in three
parts are narrated by a young Japanese student, circa 1914. The collegian meets
a man in early middle age by chance at a seaside resort at Kamakura. As young
people sometimes do with strangers, he feels an affinity for the elder, feeling
admiration and curiosity. He rather
forces his company on this private and enigmatic man, calling him Sensei
(teacher). The young student, from the country, has been influenced by city
life and feels estranged from the customs and ways of thinking of his rustic
parents. So seeking connection and wisdom to navigate a rapidly changing urban world,
the student sends hints in Sensei’s direction that he wants deep insights into
life from the teacher.
Sensei seems hesitant to do this at first. But eventually
he writes a long letter to the student, explaining what conclusions he has
drawn from life.
And we readers feel a similar pity for Sensei that we
felt for the narrator John Dowell in The
Good Soldier and Marlow in Heart of
Darkness, who both learned life lessons that they would just as soon have gone
without. Sensei tells a story on himself that reveals him to be prejudiced, malicious,
rude, insincere, dishonorable, and disloyal, all of which stem from his inability
to control his own emotions and tongue and his own cowardice to take what he
wants, what other people would think is reasonable and fit to take. Truly a
modernist novel that brings to mind Joseph Conrad and Ford Madox Ford – deeply
sad and wise.
So, it’s a great novel for fall.
Natsume Sōseki 夏目漱石 became popular with his novel Botchan, which the Japanese still love
today. Also, funny were the three I am
a Cat books, which satirized human foibles in general and Japanese
intellectuals dealing with modernization in particular. But like a lot of funny
guys, Sōseki (“gargling with stones” as the Japanese call him) was beautifully melancholy and in
Japan this novel and The Gate
are still read today and enjoyed, if that is the right word.
He was sad and shy and peevish because that was his
temperament but also because smallpox scarred him at age six and he had problems
with peptic ulcers in adulthood. He died, probably of GI bleeding, on December 9, 1916 at the age of 49. Forty-nine –
just a kid!
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