Classic with a
Name in the Title. Starting with
The Tale of Genji, novel writers have dearly loved
naming novels with the name of the hero of the novel. For Trollope, see also
Rachel
Ray,
Miss
Mackenzie,
Doctor
Thorne, and
Cousin
Henry.
Phineas Finn: The
Irish Member – Anthony Trollope
This engaging novel from 1869 tells the story of a young Irishman,
the only son of a successful doctor in County Clare, who begins his adult life in
London studying law in the odd way they study law in that part of the world. Young
Phineas is blessed with luck, being born handsome and pleasant by disposition. Charming
as he is, however, he’s no scholar.
So he is lucky again when he builds a useful friendship
with Whig politician Barrington Erle who recommends that he run for an Irish
seat for parliament. A child of fortune again, he wins in “just one of those
flukes that occur once in a dozen elections,” causing his law mentor Mr. Low to
warn darkly:
… Even if you are successful,
what are you to become? You will be the creature of some minister, not his
colleague. You are to make your way up the ladder by pretending to agree whenever
agreement is demanded from you, and by voting whether you agree or do not. And
what is to be your reward? Some few precarious hundreds a year, lasting just so
long as a party may remain in power and you can retain a seat in Parliament! It
is at the best slavery and degradation,—even if you are lucky enough to achieve
the slavery.
Finn’s first speech in that august body is a fiasco and
any reader that has blown an interview or presentation sky-high will connect
with his experience. Finn also feels what we now call imposter syndrome,
Trollope showing that feeling an outsider and a fraud and full of self-doubt
has been around for a long time though we post-moderns love to think our new
names name new things.
Trollope presents so many examples of Finn’s luck that
such good fortune borders on the improbable. As he attempts to woo young
heiresses, another character tells him “Upon my word, Phineas, my boy, you're
the luckiest fellow I know. This is your first year, and you're asked to the
two most difficult houses in England.”
Finn is also lucky enough to find himself in a position to
rescue not one but two men. In the obligatory sporting scene for readers that
like fox hunting (a bigger demographic in the Victorian era than in our
staying-at-home times), he provides aid and comfort to injured Lord Childtern,
the brother of his most earnest supporter, Lady Laura. Later he saves Robert
Kennedy, the husband of the same lady, from being garroted by beating off the
muggers. Kennedy’s feeling of obligation to Finn works itself out in both
fortunate and unfortunate ways.
The Palliser novels are often called the political novels.
Lots of us idealistic readers see politics as a set of beliefs about how the
wealth of nations ought to be divided up, but a character in this novel sums up
an attitude still with us today:
"Convictions! There is nothing
on earth that I'm so much afraid of in a young member of Parliament as
convictions. There are ever so many rocks against which men get broken. One man
can't keep his temper. Another can't hold his tongue. A third can't say a word
unless he has been priming himself half a session. A fourth is always thinking
of himself, and wanting more than he can get. A fifth is idle, and won't be
there when he's wanted. A sixth is always in the way. A seventh lies so that
you never can trust him. I've had to do with them all, but a fellow with
convictions is the worst of all."
It appears I have written 500 words about this novel
without telling anything about the plot. I don’t think that Trollope especially
cared about the story. Instead, he puts his energy and creativity into memorable
characters.
Two men and three women especially stand out. Lord
Chiltern aka Oswald Standish brings to mind the tumult and selfishness of
George
Vavasor but without the ambition that drove the latter to use people as
mere objects. Chiltern is out of the place in the modern world because he is wild,
impetuous, surly, brawling in the violent 18
th century manner. Nobody
better to share a foxhole with, nobody worse to work or travel with. No wonder
heiress Violet Effingham, as fun as
Lady
Glencora Palliser, is rather afraid that Chiltern will be a drinking,
gaming, out of control husband.
Robert Kennedy is a control freak because, like most
control freaks, he is weak and fears uncertainty. He thinks that religious
zeal, inflexible schedules and rigid adherence to social duty will stave off
change that he dreads he won’t be able to handle. His controlling ways drive his
wife Lady Laura to distraction, as if she does not feel guilty enough marrying
him out of ambition to make a difference in the world (see
Alice
Vavasor) after throwing over our hero Finn.
Another vibrant character is the widow of a Viennese
banker, Madame Max Goesler. She’s another outsider who works hard to find a place
in London society, so beautiful and charming that she becomes sought-after by
the Duke of Omnium. This, naturally enough, alarms Lady Glencora who fears for
the future of her son, the future duke if all goes as it should.
Like the characters in the
Barchester
novels, the characters in this novel struggle to reconcile their own preferences
with the expectations of the world. The world hectors Chiltern to settle down.
It chides Finn that entering Parliament is a misstep. All the women are told
love is most important and that they should live only for others. Reading
Trollope reminds us that we readers still struggle to resolve our own heart’s
desire for freedom with what a silly fickle world tells us to want - money, a
soul mate, property, reputation, position, awards, making a difference, good
health – all desires that enslave us because they are out of our control, not
up to us.