I read this book for the Vintage Mystery Bingo Reading Challenge 2014.
The challenge is to read 6 or more Vintage Mysteries. All novels must have been
originally written before 1960 and be from the mystery category.
I read this for 0-4:
Author you’ve never read before
The Devil’s Disciple – Hamao Shiro
This
fictional work consists of two interesting stories that abound
in mystery, murder and uncertainty. Nothing is what it seems. Hamao thinks the fact that
motives are often impossible to identify limits our ability to a judge anybody
with total confidence. In both of these dark short stories in the crime fiction
genre, he presents first-person narratives of why a perp did what he did.
Writing
between the wars in what the Japanese call the Taisho Era, Hamao was one of the first Japanese writers of modern
detective fiction with elements of the police procedural.
He covers the discovery of the crime and the processing of suspects in custody and charging
them in court. He is blunt about Japanese police using psychological coercion
and violence to extract confessions, false and not.
Japanese
critics say that Hamao was influenced by S. S. Van Dine. Perhaps. In both
stories, the setting is the upper crust of Tokyo society. We see that Japanese
millionaires don’t behave any better than they should just like our rich. Plus,
the story is told from
multiple points of view, one of which is a defense lawyer who brings logical reasoning to develop
alternative theories as to whodunnit. Finally, one victim in
the second story was just as arrogant and in as much need of a good kick in the
pants as Philo Vance.
But
there the cozyish atmosphere ends with these superficial resemblances. These
stories include adultery, sado-masochistic sex, and passion gone dark and
consuming. It also deals with intense male-male friendships that we see in
Japanese fiction like Mishima’s The Mask.
Plus, there is uneasiness about unbridled female sexuality as we read about in
Tanizaki’s Naomi, written in the
same era. Readers into Japan will like how motive is influenced by living in an
honor-bound culture, but no anthropological knowledge of Japan is in fact
required. Readers who like Erle Stanley
Gardner’s shots at the shortcomings of the criminal justice system will see
that Hamao is Gardner’s counterpart. I think if a reader of exotic crime
fiction is in the mood for pulpy grotesquery, this is the ticket.
Hamao was a viscount.
Despite his aristocratic origins, he was a brilliant student and took up law as
a career. He became a prosecutor, but when he saw there was
money in fiction-writing (newspapers would pay for serials), he became a
full-time author. He brought a deep legal
knowledge and extensive experience with people from all
walks of life to his fiction. His health was delicate, however, and he died
when he was only 40 years of age.
Another Japanese crime writer I'd never heard of. Sounds very much like Edogawa Rampo, the granddaddy or Japanese grotesque crime and mystery fiction. Just found a copy for $1 online and ordered it. Thanks so much for this revelation! Seems this was the week that the other bloggers were teaching me about the obscure and well worth reading rather than the other way around.
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