Turner Classic Movies showed Perry Mason movies from the
mid-Thirties on March 26. Naturally I watched as many of them as I could, even
playing hooky to do so.
It wasn’t worth it.
The Case of the
Lucky Legs, 1935
The first Mason movie is really bad. Taking a cue from
The Thin Man, Perry Mason is made into a Nick Charles- type bon-vivant. Mason’s
secretary is the typical gal Friday, snappy, sassy, and serenely never taking
the males around her seriously. Also popular at the time were screwball
comedies, but the rough mixture of murder story and laughs doesn’t work at all.
Spudsy (not Paul) Drake does slapstick annoyingly. Many so-called comedic
scenes turn on booze-hound Mason’s futile efforts to stay on the wagon. The
only bright spot is Barton Maclane, playing his hard-nosed copper in a couple
of scenes.
The Case of Velvet
Claws, 1936
Nothing works in this movie except the stylish sets,
cars, and clothes. Again Mason as the man about town and his sidekick Spudsy as
bozo are not funny in any sense. Perry and Della get married but their
honeymoon is delayed. A running joke is that Perry passes on a case of
influenza to everybody that he comes into contact with.But somehow everybody‘s
sneezing, coughing, waving handkerchiefs around is not funny.
The Case of the
Stuttering Bishop, 1937
This is more like it. A different actor was cast as Perry
Mason. He brings more gravitas to the role. He even paces like Perry does in
the novels. Ann Dvorak, the foxiest Hungarian-American in Hollywood before
Mariska Hargitay, was a lively Della Street, if mouthy. The actor cast for Paul
Drake was older, but more plausible in the part. Just like the novels, the plot
is complicated and a moment’s lack of attention will result in getting lost. I
think fans of the novels will like this one the most. However, it is a film
that sunk the franchise, just going to show that being faithful to the book is not
enough for a movie to come off well enough to be popular.
I seem to remember reading someplace that the creator of
Perry Mason, Erle Stanley Gardner, was not happy in his dealings with
Hollywood. After 1937, he did not return the character the tender mercies of
Hollywood until 1957. For the TV series, Fred MacMurray was going to be Perry
Mason, but when Gardner saw Raymond Burr at an audition for the part of DA
Hamilton Burger, he jumped up and yelled, “That’s Perry Mason!”
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