I read this for the 2015 Cloak and Dagger Mystery Reading Challenge
Red Gold – Alan Furst
This
is the sequel to The World at Night, the historical
espionage thriller that introduced film producer Jean-Claude Casson and his
adventures in the French Resistance during WWII. Casson reaches a point where
he can no longer sit out the Nazi occupation of France. For one, he is already a
fugitive who escaped out of a toilet window of Gestapo headquarters in Paris.
For another, he can no longer feel afraid. He doesn’t feel much of anything. He
becomes more active in the Resistance not so much out of patriotism but out of
a feeling that there is nothing left that he could do that could give his life
meaning. I think the story and characterization are more economical and
readable in this novel compared to The
World at Night. Furst creates the same tense, murky, romantic atmosphere,
but does not let ambiance take over like in The World at Night.
Casson
has been recruited by a Gaullist officer DeGrave, under whom he served early in
the war. This faction wants to fight the common enemy with the more organized
and numerous Communists. They assign Casson to find the Communist leadership
and find out what they need to make a deal. Casson eventually meets Weiss,
Moscow Center’s rep and supervisor of a motley collection of teenagers, Jewish people
in hiding, and thugs out to kill people who happen to be Germans because it’s
fun. Weiss and his people set a price on cooperation - a thousand machine guns,
with ammunition. Used to negotiating when getting movies made, Casson keeps his
feet on the ground:
“We have a lot to offer,
Casson. Help with field operations, intelligence -- but they have to ask. From
the first contact we felt that no matter how hard we've fought against each
other in the past, we now have a common enemy, so it's time for us to be
allies.”
“War changes everything.”
Weiss smiled. “It should, logically it should. But the world doesn't run on logic, it runs on the seven deadly sins and the weather. Even so, we have to try to do what we can.”
“And it helps,’ Casson said, “to have machine guns.”
“War changes everything.”
Weiss smiled. “It should, logically it should. But the world doesn't run on logic, it runs on the seven deadly sins and the weather. Even so, we have to try to do what we can.”
“And it helps,’ Casson said, “to have machine guns.”
DeGrave
introduces Casson to Helene, a Jewish woman who could be denounced at any time
by a malicious co-worker. Casson also works to get Helene out of France.
Handling this sub-plot, Frust captures the inescapable desolation – as Simenon
called it, Dirty Snow - of the occupation.
With
his power to convey atmosphere and incidents, Furst can induce strong emotions
in a reader. "I write entertainment novels," said Furst in a 2004
interview.
"I write what I call novels of consolation for people who are bright and
sophisticated.” I’m not sure what he meant by that, but he may be saying that a
certain kind of reader would use the novel as moral yardstick, wondering what
he or she would do in circumstances such as resisting an occupation by an
enemy. I guess certain readers would console themselves that they would do the
right thing, that it would be two-thirds of everybody else that would collaborate
or watch an occupation from the sidelines.
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