I read this book for the Mount TBR
Reading Challenge hosted over at My Reader’s Block from January 1 – December 31, 2015. The challenge is to read books
that you already own.
The Warden –
Anthony Trollope
Avid readers of the
blogging type have been huzza-ing 2015 as the Trollope Bicentennial so much
that I took up this one, which I had not read since I was a university student
about 40 years ago. It was Trollope’s breakthrough novel, first published in
1855. It was the initial novel in a series of six novels known as The
Barchester Chronicles.
The Reverend Septimus
Harding, the earnest if not hard-working warden of a charitable retirement home
for a dozen old geezers, has a crisis of conscience. Should he resign his
sinecure after being accused by the public prints of profiting at the expense
of the poor and vulnerable? Harding sincerely wrestles with his conscience as
does the instigator of the scandal, John Bold. This young idealist doctor, who
does not have enough to do, also wants to marry Harding’s lovely daughter
Eleanor. Archdeacon Grantly, Harding’s truculent son-in-law, wants to use the
courts to fight reformers like John Bold.
The character of Harding
is pleasingly drawn, with graceful sureness of touch. Equally vibrant are
Harding friend but feeble ally, the old Bishop (who is Grantly’s father) and
the codgers who live on the mismanaged funds of the charity. Grantly’s wife
tartly reminds him that if he had not interfered Eleanor and Bold might now
have been married, in which case the reformers never would have known about and
almshouse sinecure.
“The
fact is, you've brought this young man down upon papa by huffing him as you
have done.”
“But,
my love—”
“And
all because you didn't like John Bold for a brother-in-law. How is she ever to
do better? Papa hasn't got a shilling, and I'm sure I don't know how she is
ever to do better than marry John Bold, or as well, indeed.”
Trollope assumed that
women’s place was at home, but he didn’t ignore their insights into worldly
affairs.
The conclusion is
unsatisfactory because it seems rushed and a character acts
uncharacteristically. Trollope is infamous for his asides to us readers, but those
are tolerable enough, as is the satire on Dickens’ reforming ways. Like
conservatives then and now, Trollope takes a mocking tone toward social reform
and the earnestness of reformers. Trollope is so very amused that anybody would
get his knickers in twist reforming child labor, nursing, funerals, debtor’s
prisons, workhouses, or the Court of Chancery. Do-gooders – such easy targets.
But perhaps this mocking stance
is only irony – Tony will be subtle. After all, it is ironic of Trollope have Harding
to through agonies over public and private morality while the other characters
assume fretting about ethics and reputation is the least of his worries – especially
when he is facing a cut in income of about £600 and move from a pretty house to
lodgings above an apothecary.
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