The Hard Sell – William Haggard
This short 1965 thriller is set mainly in Vittorio, Italy, which I think is supposed to be Naples, the
city of litter and Duh Mob. Haggard’s series hero, Colonel Charles Russell,
works in British military intelligence, in an obscure office that undertakes
delicate jobs that defy easy classification. Russell is asked by a childhood
friend informally to visit his company’s plant in Vittorio in order to
investigate a series of slow-downs and accidents. Alone the incidents could be
explained by happenstance, but the series says something is fishy. After
Russell arrives in Italy, the perp ups the ante with sabotage and an attack on
the owner’s son.
Haggard, a firm believer
in national traits, characterizes Southern Italians as lovers of intrigue,
mindful of face and reputation and status, ridden by unsavory family
connections, prone to outbreaks of temper, romantic, loud, chaotic, violent. The
villain in this novel is a Swede and thus prone to ups and downs. When he’s up,
a formidable adversary, but when down, unstable and unpredictable.
As the hero, Russell
transcends stereotypes. He is a rare bird: Anglo-Irish but Catholic, not
stubborn or inflexible. He is ever on guard lest his emotions and feelings
cloud his cool, logical judgement. At about sixty, Russell does not engage in
James Bond-like action scenes or love affairs. Instead, he fishes and plays golf. He flirts with a forty-something courtesan - in a combination of schoolboy classical Greek and rough dialect learned during the war; could anything be cooler than speaking a foreign language fluently but imperfectly?
Russell works with not
only the local police commissioner, but the local communist agitator. A
conservative of the old school, Haggard has his series hero take communists as the
hard right – in short, communists are serious, purposeful, resolute, resourceful
and in touch with ordinary people and their troubles, just like men of the
right. Contrasting the dark days of the present with the golden age of the
past, Russell thinks that the Europe worthy of the name “committed suicide”
when he was nine – i.e. in August 1914.
Like most old-timey conservatives, Russell loathes demagogues and mobocracy, abhors socialism, and shits on democratic socialism (remember what Stalin did to democratic socialists - see The Case of Comrade Tulayev). Russell will fight a worthy adversary or work with him, depending on circumstances. Russell is too practical and results-oriented to fuss over moral judgments. Russell believes in moral principles since without them people are slaves to passion and irrationality. But Russell does not expect – much less demand – moral judgement to help him in a world dominated by evil, flux, chance, repute, money, power, and other fleeting, ephemeral rubbish.
Like most old-timey conservatives, Russell loathes demagogues and mobocracy, abhors socialism, and shits on democratic socialism (remember what Stalin did to democratic socialists - see The Case of Comrade Tulayev). Russell will fight a worthy adversary or work with him, depending on circumstances. Russell is too practical and results-oriented to fuss over moral judgments. Russell believes in moral principles since without them people are slaves to passion and irrationality. But Russell does not expect – much less demand – moral judgement to help him in a world dominated by evil, flux, chance, repute, money, power, and other fleeting, ephemeral rubbish.
The Hard Sell is an intricate novel
that capture the usual real-world situations of people assuming they are making
cogent decisions based on correct assumptions, but in fact their premises are
wrong. Anybody who has worked in an office know assumptions are often fatal, valuable
as they are. The Hard Sell is still worth reading though it lacks the
sheen of threat and ruthlessness of earlier novels such as The High
Wire, The
Antagonists, The
Arena, or The Unquiet
Sleep.
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