Sunday, November 19, 2017

Mount TBR #55

I read this book for the Mount TBR Reading Challenge hosted over at My Reader’s Block from January 1 – December 31, 2017. The challenge is to read books that you already own.

Light Your Torches and Pull Up Your Tights - Tay Garnett

Garnett (1894-1977) was a director during the golden age of Hollywood and he worked in television as movie theaters pretty much went the way of the videostore, bookstore, and department store have gone in our own day. He is especially famous for his adaptation in 1944 of The Postman Always Rings Twice with Lana Turner and John Garfield. He made his film debut in 1920 as screenwriter and gagman at Mack Sennett and Hal Roach (the producer Laurel and Hardy, among others). His seemingly versatile filmography includes, among other things, an astonishing denunciation of corruption (Okay America!, 1932), a legendary melodrama (One Way Passage, 1932), an exotic adventure film starring Marlène Dietrich (Seven Sinners, 1940), and a harsh war movie (Bataan, 1943). Having always wanted to keep a maximum of control over his films, Garnett would often clash with producers.

Unlike the reflective autobiography by King Vidor, this book is a boisterous string of anecdotes. Many of them hinge on wacky behavior brought on by large quantities of alcohol. To quote Lana Turner, during the filming of Postman, the author was a "roaring, mean, furniture-smashing drunk." A few stories are somber. Garnett was in in Berlin, for instance, when Hitler was named chancellor in early 1933. He asked a German aristocrat why so many people seemed glum. The reply was Americans would feel the same way if populist Huey Long had been elected President.

As a collection of lively stories, this had better be read in small chunks to avoid tedium and prudish sighing that intelligent creative adults with copious amounts money can’t do any better than yachts, travel, gambling, guzzling and gorging. He studiously avoids discussing at length any topic that would smack of auteurism.  He never tells the reader what year it is. But any fan of classic Hollywood will surely enjoy these memoirs of a man who obviously enjoyed his job and all the travel and discretionary time for partying that one could wish for.

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